[1965:] [At the 1951 People's Festival in Edinburgh] Jimmy MacBeath sang Come All Ye
Tramps and Hawkers for the first time on any
stage (as opposed to the reeling road, or the
booths of Porter Fair). (Henderson, Alias
MacAlias 9)[1970:] [Verses used neither by
Luke Kelly nor by MacKintosh & Imlach:]
Loch Catrine and Loch Lomond hae a' been seen by me
The Dee, the Don, the Deveron that flows intae the sea
Dunrobin Castle by the way I nearly had forgot
And aye the Rickle o' Carlin marks the Hoose o' John O'Groats
I'm often roon by Galloway and doon aboot Stranraer
My business leads me anygates, for I travel near and far
I've got the rovin notion, there's naething fae't I loss
And a' my day is my daily fare, an' what'll pay my doss
doss - (night's lodging)
('As sung by Jimmie MacBeth', Penguin Book of Scottish Verse, 497f)
[1973:] Geordie [Stewart of Huntly] not only assured Jimmy [McBeath] that fame, money and a
great lyric future lay before him on the road; he also taught him two or three dozen of the songs
which he was afterwards to make famous, including the best version collected to date of Come A'
Ye Tramps and Hawkers. (Henderson, Alias MacAlias 162)
[1974:] Towards the end of the last century an Angus hawker by-named 'Brechin Jimmy' and 'Besom
Jimmy' - his real name was Jimmy Henderson - composed a song called Come A' Ye Tramps and
Hawkers. It rapidly became popular among the fraternity, and in recent years it has been
carried (in Jimmy MacBeath's version) to every corner of the English- and Scots-speaking world.
(Henderson, Alias MacAlias 170)
[1983:] [This] epitomises the joys, hazards and vicissitudes of Jimmy [MacBeath]'s own chosen
lifestyle. (Henderson, Alias MacAlias 149)
[1984:] This song breathes the very essence of the nomadic life - but the speaker is an
itinerant worker, not a layabout: a loner describing the different jobs he's done and the
places he's visited. Unlike Woody Guthrie's migrant workers, forced to travel in search of
work, our man has chosen his way of life and enjoys it [...]. And he's "got the roving
notion" that he's missing nothing whatsoever.
[Charlie Murray] got this song from Jimmy MacBeath at Banff feeing market, around 1934-5
when Jimmy was in his hey-day as an itinerant singer. The fourth verse [roughly v. 3 in
Hamish's version] is less well-known, and Charlie says he "concocted" the last line
himself. [...] Of Tramps and Hawkers he says, "In Jimmy MacBeath's case I think he
let the establishment know that despite hardships and harrassment by police to street singers, he
made a living by what he liked doing." (Munro, Revival 183f)
[1986:] Often attributed to Besom Jimmy, an Angus hawker of the last century, but widespread
in the tradition by the time Gavin Greig was collecting, seventy years ago. (The Scottish
Folksinger 155f)
[1988:] Braxy is a bacterial infection of sheep, and in those days usually fatal. But it
did not affect the flesh, and since only the best and fattest sheep were struck down, to find a
newly dead braxy sheep was a find indeed, and a great help to the diet of the lucky family. [It]
was said by the pundits that, on finding a dead sheep, the finder should grasp it firmly by the
hind legs and swing it round his head. If the legs withstood six full circles, then the sheep
was fit to eat. Be that as it may, there is no doubt that a promptly-found braxy sheep was
'wholesome fairin'. Any over-ripe specimens were inclined to stop the breath, but no more so than
'hung' pheasants or grouse, which left a mound of squirming maggots on the larder floor. (Archie
Cameron, Bare Feet and Tackety Boots. A Boyhood on Rhum. Luath Press, Barr, p 73)